“Awe-inspiring. One of the more complicated operatic enterprises to have been attempted since Richard Wagner staged The Ring of the Nibelung in 1876. Hopscotch triumphantly escapes the genteel, fenced-off zone where opera is supposed to reside.”
— Alex Ross, The New Yorker
“A defamiliarizing and ultimately haunting journey through the cityscape. With fantastical dream sequences and arias that describe the existence of parallel universes, Hopscotch is less a traditional plot than a trippy exploration of time and memory.”
— Will Robin, New York Times
“A masterpiece of logistics and a remarkable fusion of variety and consistency. Hopscotch has broken the fourth wall with a vengeance, not merely freeing opera from the opera house, but making its heightened expression the sound of real, everyday and inner life.”
— Heidi Waleson, Wall Street Journal